Molly Tuttle and Golden Highway's Crooked Tree displays everything from deft clawhammer-style guitar playing to high-speed syncopation from the Clarence White canon to buoyant cross-picking.
The Spur is a batch of songs that reflect on putting down roots, coming out of what Joan Shelley calls a “period of opposite extremes—of creative hyper-connection and physical isolation."
With the EPs Bluish and Edgework, guitarist Woody Harris has released his first new music in 42 years, and it’s a lifetime away from the folk albums he recorded in his 20s.
Barry Waldrep & Friends Celebrate Tony Rice creates a personal remembrance of Rice and his music from a modern country music perspective with star power.
The 8 performances on Forever on my Mind, recorded live at Wabash College in 1964, are so different, they force us to rethink everything we know we about him.
Using six guitars—a nylon-string crossover, a baritone, a Portuguese viola amarantina, steel-string acoustics, and an electric—Hall switches between solo and multitracking and different tunings.
Playing nylon-string, Bola Sete was a masterful improviser and technician, with influences that ranged from Django Reinhardt to João Gilberto to Andres Segovia.
This remastered, super deluxe 50th anniversary edition of George Harrison's "All Things Must Pass" tamps down Phil Spector’s dense, reverb-heavy wall of sound.
There’s no one else like Paul Thorn, a walking contradiction with an honest sense of his shortcomings, an insistent moral compass, and a healthy dose of country funk.
"The Village Out West" includes 51 tracks of stunning '60s recordings of bluegrass, gospel, folk, Delta blues, Celtic ballads, Woody Guthrie tunes & more.
There’s an architectural quality to Eli West's Tapered Point of Stone, a careful sense of craft that methodically builds from one note and one instrument to the next.
John Pizzarelli's Better Days Ahead, Matthew Stevens' Pittsburgh, & Steve Gibb's The Boatman each highlight mastery of the fingerstyle guitar in their own right.
The settings in Leftover Feelings, recorded live in Nashville’s historic RCA Studio B, find the middle ground between wisdom and cleverness, country and bluegrass.