


John Gorka’s ‘Before Beginning’ Revisits His Earliest Studio Recordings
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REVIEW Singer, Songwriter, Guitarist Andy Ferrell: At Home and in Nashville [VIDEO]

Sarah Jarosz’s ‘Undercurrent’ Charts a New Course

Album Review: Eric Bibb Demonstrates No-Frills Virtuosity on ‘The Happiest Man in the World’
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Shawn Colvin and Steve Earle Join Forces on ‘Colvin & Earle’

All the Feels for the Avett Brothers’ New LP, ‘True Sadness’: Listen to Single ‘Divorce Separation Blues’
Though their roots lie in hoot-and-holler bluegrass and folk, the Avett Brothers also embraced big guitar rock early in their career. Both strains of raising Cain thread through their latest, True Sadness. With thundering drums, rubbery bass, and Seth Avett’s cyclical acoustic guitar, opener “Ain’t No Man” is hand-waving gospel…

Review: ‘You and I,’ Recently Discovered Demos by Jeff Buckley
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Freakwater Returns with Songs that Feel Old and Grim and Magical on ‘Scheherazade’

Del McCoury Band Breathes Life into Unrecorded Woody Guthrie Songs

Review: Ryan Shupe, We Rode On
Briskly galloping out of the gate, the title track of Ryan Shupe’s self-released eighth album, We Rode On, announces the former country-chart-topper’s transition to alternative artist. This collection is bright clangoring pop-rock, focused on moving forward, but it’s grounded in the building blocks of Shupe’s bluegrass past—his earnest everyman vocals…
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Sultans of String’s ‘Subcontinental Drift’ has a Swirl of Worldly Influences
New CD Offers Kurt Cobain Acoustically & Otherwise
Three songs into the 13-track Montage of Heck, a compilation of raw, lo-fi home demos and other recordings Kurt Cobain made, is a happy little acoustic instrumental titled, appropriately, “Happy Guitar.” Its Gypsy-jazz chording and fingerpicking reveal a perhaps unexpected fascination the late Nirvana front man seemed to have had…

Album Review: The Cactus Blossoms, ‘You’re Dreaming’
Allmans Show Their Acoustic Side on ‘Idlewild South’ Reissue
by Mark Kemp Forty-five years ago, the Allman Brothers Band went acoustic. Sure, Idlewild South was only the group’s second album, but from Duane Allman’s joyous strumming that kick-starts “Revival” to his ominous acoustic riff that drives the mournful “Midnight Rider,” the record was quite a departure from the sustained…
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James Taylor Reconnects with His Muse on ‘Before This World’

Album Review: James McMurtry Strips Down to Acoustic Guitars on ‘Complicated Game’

