The songs on Joe Henry’s latest album 'All the Eye Can See' refuse to give up their mysteries, the melodies wandering like question marks with the lyrics threading a thin line between knowing and unknowing.
The album brings together 15 previously unreleased live and studio tracks by two of the three singing Roche sisters, Terre and Maggie, who were a performing folk duo dating back to their teen years.
Kate Koenig describes Immortal Rhythm as “alternative folk," and there is a folk purity to the mostly crystalline vocals and much of the fingerpicked and strummed acoustic guitar parts.
The spareness of Birds in the Ceiling frees John Moreland to dig deeper into the darkness of these songs, to focus on a life where death is the only certainty.
On Christina Vane's album Make Myself Me Again, the slide guitarist is exploring what it means to reconnect with herself in a new, unfamiliar city where she seems to fit right in.
On Up the Hill and Through the Fog, the Slocan Ramblers make a clean break from their folk-trad past and establishing three distinctive voices to make the group greater than the sum of its parts.
Stylistically, Joe Russo’s Almost Dead guitarist Scott Metzger's solo acoustic album, Too Close to Reason, covers a lot of territory in what he calls his “sonic landscapes.”
With his 7th full-length album, The Prize, Joe Robinson is reaching for the biggest prize of all: writing songs that are as good as his guitar playing.
Dark Enough to See the Stars is what we call a happy album for Mary Gauthier—the happiest album in her career, recorded at the happiest time in her life.
Billy Strings' Me/And/Dad is a happily unlikely outcome for father and son, a chance to record an album rooted so deeply in memory and gratitude, addiction and recovery.
Winter Hill Blues is Ryan Lee Crosby's strongest work yet, alternating between hard-droning blues on electric guitar and softer, brooding blues on acoustic guitars.
Nitty Gritty Dirt Band founders Jeff Hanna and Jimmie Fadden used to play Dylan tunes together in high school, now the band has released a tribute album, Dirt Does Dylan.
The performances by Grant Dermody & Frank Fotusky on Diggin’ in John’s Backyard sound like a couple of (really talented) pals casually sitting on the front porch pickin’, blowin’, and singin’.
The mood on Charlie Musselwhite's Mississippi Son is laid-back, as the guitarist delivers fingerpicked country blues on both acoustic and electric guitars.
Ry Cooder and Taj Mahal are now revered as legends themselves, and they’ve chosen this moment to time-travel back to honor two of their early heroes, Sonny Terry and Brownie McGhee.